PLOT POINTS
Once I got started with my story and the scenes started taking shape, I learned more about plot development. It goes beyond a simple beginning, middle, and end. A compelling story line which not only engages but engrosses the reader must have elements of intrigue, challenges, conflict and resolution, among other things.
I found there are multiple fiction plot styles. For example, a superhero plot consists of nothing less than twelve points, each demonstrating the inner conflicts and epiphanies in the protagonist, which either hinder or build the confidence and resolve of the hero. Add to that the striking opposition of the antagonist, repeatedly trying to thwart the paladin and creating tension until finally compelling the champion to take the ultimate action and save the day. Thank goodness I’m not writing about superheroes. That being said, each plot style has its purpose and application, depending on the story.
The simplest and most foundational is the three-act narrative:
Act one introduces the characters with their initial beliefs and driving forces, the environment, and some event which triggers a decision. The characters choose a direction and begin the journey.
The second act uses challenges and conflicts which build tension and may test the determination of the figures to continue the quest. These scenes further demonstrate the characters’ principles by revealing pivotal moments in the past which contribute to their current convictions.
Act three brings the climax or major confrontation which forces the leads to risk all, often resulting in a shift of beliefs, followed by the resolution. Loose ends are tied up and characters assume their new state of normalcy.
The three act scenario is pretty universal. Other plot styles can be more complex but have the same basic points. I hadn’t considered my own plot style while writing. I let the story tell me. Then I went back and assigned the chain of events to their respective acts.
Some of my story was just a bunch of “what happens next…” without significant struggles or episodes which challenge the convictions of the lead roles. I realized there were multiple opportunities to expand on implied tensions to create more engaging and sometimes thrilling events. In the process, I found greater bolstering of personal values, beliefs, flaws, and scars in my protagonists, making them more compelling and believable. Character development will be discussed further in the next blog, or as they say, “that’s another story”.
Understanding the plot types, however, makes it easier to edit and adjust the story line to ensure a good reader experience. Just like writing styles, I didn’t evaluate the plot in the books that I read. I just knew that I liked them or I didn’t. When applying the concepts to my tale, I found that I enjoy not only the process of editing, but I like the story itself even more.
